Ok… Here’s my suggestion before you watch this video. If you have the Last Samurai soundtrack, then fire it up and play it simultaneously with the video. I’ve got a version of these shots WITH that track as a “placeholder”, and it obviously makes a huge difference.
Our composer, Donovan, will be writing some incredible scores in good time. I'm totally juiced to hear what he's got planned.
I’m currently not happy with these first two shots. The first shot I’m happier with. I feel that the reveal of the footprints in the snow is timed well, and the camera moves (albeit CG, and requiring a “real-world” touch), work well. I feel the shot is strong because I staged and staggered the reveals with strong composition, and good tempo.
The second shot is where I feel it all fall apart. The reveals are there, (foot prints, stairs, vertigo from the height, the broken bridge, and the path to the Temple ruins at the mountain top), but they aren’t working. Here are my thoughts:
1) I feel there’s an issue of timing. The shot is too long. I want the first three shots to get shorter as we progress, then start to stagger my shot timing after, depending on the subtext established by that point.
2) I’ve revealed a lot in the last shot, and this next one I should focus the interest more - have something clear to say. So rather than “repeating” the footprints, and again with stairs, or showing the vertigo, I should focus more on the bridge reveal, and the temple above.
3) Position in space is unclear. I should hand-off from shot one to shot two with a landmark. If these were random shots of vistas, I would have a lot of freedom. But since I’ve established my “goal” almost immediately (temple), in the end of the first shot, then each shot should be positioned with that in mind.
There are a few other elements that I can “feel” uneasy about, but I’m not yet able to articulate. I’ll jump back in and correct the above.
If you have suggestions, please comment. Do get some music to listen to, as you watch though… The shots feel like an eternity when viewed in silence.